{"id":50,"date":"2020-03-25T10:17:55","date_gmt":"2020-03-25T10:17:55","guid":{"rendered":"https:\/\/kede.com.br\/culture\/home-1\/"},"modified":"2020-05-22T14:38:54","modified_gmt":"2020-05-22T14:38:54","slug":"home-1","status":"publish","type":"page","link":"https:\/\/kede.com.br\/culture\/","title":{"rendered":"Home 1"},"content":{"rendered":"\t\t
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\n Meg 2: The Trench review: Ben Wheatley’s sequel is ‘plain awful’<\/a>\n <\/h2>\n <\/div>
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\n The film too hot for the US censors<\/a>\n <\/h2>\n <\/div>
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\n From Blue Beetle to Bottoms: 10 of the best films to watch in August<\/a>\n <\/h2>\n <\/div>
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Film<\/a><\/div>\n

\n The one thing Oppenheimer gets wrong<\/a>\n <\/h2>\n <\/div>
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Film<\/a><\/div>\n

\n The joy of Ken: Can Barbie’s Ryan Gosling really win an Oscar?<\/a>\n <\/h2>\n <\/div>\n <\/div>\n
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Meg 2: The Trench review: Ben Wheatley’s sequel is ‘plain awful’<\/span><\/h3>\n <\/a>\n

The film too hot for the US censors<\/span><\/h3>\n <\/a>\n

From Blue Beetle to Bottoms: 10 of the best films to watch in August<\/span><\/h3>\n <\/a>\n

The one thing Oppenheimer gets wrong<\/span><\/h3>\n <\/a>\n

The joy of Ken: Can Barbie’s Ryan Gosling really win an Oscar?<\/span><\/h3>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div><\/div><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n Film<\/a>\n <\/div>\n <\/div>\n
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\n From Blue Beetle to Bottoms: 10 of the best films to watch in August<\/a>\n <\/h2>\n
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<\/i> July 29, 2023<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n
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10. White Bird Adapted from RJ Palacio's hit novel, Wonder (2017) was a drama about Auggie (Jacob Tremblay), a ...<\/p>\n Read more<\/a>\n <\/div>\n <\/div>\n <\/article>\n <\/div>\n

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\n The one thing Oppenheimer gets wrong<\/a>\n <\/h3>\n
<\/i> July 27, 2023<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n <\/article>
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\n Film<\/a>\n <\/div>\n

\n The joy of Ken: Can Barbie’s Ryan Gosling really win an Oscar?<\/a>\n <\/h3>\n
<\/i> July 21, 2023<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n <\/article>
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\n Greta Gerwig’s ‘bold, inventive’ Barbie breaks the mould<\/a>\n <\/h3>\n
<\/i> July 19, 2023<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n <\/article>
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\n Mission: Impossible \u2013 Dead Reckoning Part One: Is Tom Cruise the last action hero?<\/a>\n <\/h3>\n
<\/i> July 17, 2023<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n <\/article>\n <\/div>\n
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\n Sound of Freedom: Is the child trafficking drama a watershed moment for ‘faith-based’ filmmaking?<\/a>\n <\/h3>\n
<\/i> July 15, 2023<\/a><\/div>
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\n Does Indiana Jones and the Dial of Destiny mark the era of the ‘flopbuster’?<\/a>\n <\/h3>\n
<\/i> July 6, 2023<\/a><\/div>
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\n From Barbie to Oppenheimer: 10 of the best films to watch in July<\/a>\n <\/h3>\n
<\/i> July 1, 2023<\/a><\/div>
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\n Meg 2: The Trench review: Ben Wheatley’s sequel is ‘plain awful’<\/a>\n <\/h2>\n
<\/i> August 4, 2023<\/a><\/div>
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Books<\/span><\/h3>\n \n <\/div>\n
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\n The surprising roots of everyday words<\/a>\n <\/h3>\n
<\/i> August 3, 2022<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n <\/article>
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\n What if Hillary Clinton had become president?<\/a>\n <\/h3>\n
<\/i> August 1, 2022<\/a><\/div>
<\/i> 2.3k <\/a><\/div><\/div>\n <\/div>\n <\/article>\n <\/div>\n <\/div>\n
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